Ophelia transformed: revisioning Shakespeare’s Hamlet

Mohammad Safaei, and Ruzy Suliza Hashim, (2013) Ophelia transformed: revisioning Shakespeare’s Hamlet. GEMA: Online Journal of Language Studies, 13 (2). pp. 181-191. ISSN 1675-8021


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The critical literature on Ophelia has been constrained to the scope of her characterization within Hamlet and to the corpus of literary criticism that has drawn upon the Shakespearean play to portray the contours of her personality. She is often regarded as the mirror of fragility and frustration; she is lascivious and prone to promiscuity; she has no significance in the structural design of the Shakespeare‟s play except to serve as an object of pleasure for Hamlet. Despite all this, Ophelia, within the domain of revisioning literature, has obtained new dimensions which stand in stark contradiction to her traditional figure. This article intends to address the new aspects of her character within the scope of three twenty-first century novels, namely Ophelia, The Prince of Denmark, and The Dead Fathers Club, which have transformed the Shakespearean play. Though Ophelia‟s sensuality is emphasized in all these novels, she is endowed with agency, voice, and a skeptical cast of mind. She is defiant of patriarchal and divine authority; and she at times serves as a haven for the young Hamlet. It is argued that these new dimensions of Ophelia‟s characterization should be construed not only as a response to the Shakespearean text but as a reaction to the bulk of literature which has yielded to the predominantly male-oriented readings of Ophelia.

Item Type:Article
Keywords:Ophelia; revisioning; sexuality; agency; mobility
Journal:GEMA ; Online Journal of Language Studies
ID Code:6338
Deposited By: ms aida -
Deposited On:20 Jun 2013 03:39
Last Modified:14 Dec 2016 06:40

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